This post is part of a series on teaching religion in film using the work of Stanley Hauerwas. You can get caught up on our progress so far by reading the posts from Week 1, Week 2, Week 3, and Week 4.
For this week students read the fourth chapter in Hauerwas’s A Community of Character — “The Church and Liberal Democracy: The Moral Limits of a Secular Polity.” This chapter’s central claim is that Christianity and Liberalism are characterized by competing and irreconcilable ideologies. I therefore anticipated that it would generate some pushback from students, and it did, but not to the extent that I had feared (or hoped?). Discussion at the start of class was fruitful, and I found that many students seem to appreciate the line that Hauerwas draws.
One of the things they seem to have found most compelling in this chapter is its analysis of Liberalism’s emphasis on personal freedom and self-interest as cardinal virtues of sorts. Hauerwas notes that in the early days of Liberalism (liberal democracy in the United States, specifically), the assumption underlying liberal ideology was that people were, in fact, virtuous. Yet as time progresses, the situation will change. Now, Hauerwas argues, “people feel their only public duty is to follow their own interests as far as possible, limited only by the rule that we do not unfairly limit others’ freedom” (79). “Liberalism,” Hauerwas maintains, “thus becomes a self-fulfilling prophecy; a social order that is designed to work on the presumption that people are self-interested tends to produce that kind of people” (ibid).
Below is a word cloud generated from student essays on this chapter.
Over the past few weeks one of the things I’ve noticed in essays and in our class discussion is that students have started asking serious questions about what precisely Hauerwas envisions when he speaks of “the church.” In a previous post I mentioned that one student went so far as to argue that he seemed to be advocating for a sort of “secret clubhouse” mentality.
As we’ve moved further into the book, questions about the relationship of the church to the world have become increasingly more common. Many found the section at the end of this chapter on contrasts between Liberalism and the church to be helpful, and we spent some time at the start of class going over this section.
After some preliminary discussion we watched M. Night Shyamalan’s The Village (2004). To be honest, I actually don’t care much for the film; it’s quite tedious at points, and it’s far from Shyamalan’s best work (in my opinion). But it’s a fantastic illustration of what a truly sectarian society looks like in practice, and in my mind it is a perfect antithesis to how Hauerwas conceives of the church.
“The Village” is made up of people who seem to be living in the late-nineteenth century, deep in the forest and far from civilization. The woods that surround them are said to populated by vicious monsters who are drawn to the color red. Toward the end of the film it becomes clear that these monsters were created by “the elders,” the group of people who started the community. The stories of the monsters function to keep people in the community and to keep them at peace with one another.
At first glance the village seems like a suitable analog for the church. The people are loving, peaceful, and faithful, and they consider money the root of evil and don’t use it in their society. It is only when you consider the means by which the society is maintained that the serious issues with it become clear. In contrast to Hauerwas’s insistence that the church be formed and sustained by narratives/stories that are “sufficiently true/truthful,” the village is a society built on a series of elaborate lies.
What is more, the story of the monsters is in fact contrary to the values that the elders wish to instill in their progeny. They want their children to be peaceful and loving, but they teach them to be peaceful and loving people by surrounding them with threats of violence: “The monsters are drawn to the color red, so if you cause someone to bleed the monsters will come and get you.” Even though this threat of violence is intended as a preventative measure, it nevertheless instills in the people the belief that violence is a legitimate way to solve problems. And this ends up having disastrous consequences for more than a few characters.
Our post-film discussion was rich; students seemed to enjoy the film, and I was impressed at how effectively they were able to grasp its mythology. One of the critical differences they identified between the village and Hauerwas’s conception of the church is that the former in no way benefits the world that it has chosen to exist apart from. The elders seek to build a society of faith, hope, peace, and love, but they do so in radical isolation from the world that they perceive as violent. The church, on the other hand, seeks to cultivate similar virtue in its members, but this is always done in the context of the world. The church is an alternative to secular polities, but if it is to be a true alternative, then it must exist within sight of the polity to which it is serving as an alternative.
More next time!